This is a piece I’ve been meaning to write for quite a while now.
Sadly, I am down to my last few rolls of AGFA Vista 200 – I have one roll in my Nikon FM2n and another in my Sprocket Rocket (which hopefully I will never find again, as that camera just produces disappointment).
Since the news that Fujifilm is discontinuing the much beloved cheap and cheerful stock, I now reluctantly have to find a new bargain bucket 35mm film.
This is quite annoying, as not only was AGFA Vista 200 a reasonably reliable bit of film, the cheap price meant it was the “go to” stock when it came to doing things that were a bit more experimental.
I’ll be honest, I am going to miss it.
Over the years, I have learnt quite a bit using AGFA Vista 200 – it’s been that reliable friend that you can always turn to when you want to try something a little different. Especially when testing out old, weird and potentially busted cameras.
The fact that a roll only cost £1, meant that I didn’t necessarily care too much how the images turned out. It’s quite a liberating to take a photograph on film and not feel like the shot has to be perfect.
It’s been a journey, it really has.
As I’ve grown as a photographer using AGFA Vista 200, I have captured my son growing up too. So the sentimental side of me is really sorry to see it go.
I started shooting the stuff on my Zorki 4k. I then tested it on my Dad’s Comic 35 (which promptly fell apart in my hands! I rescued the film though!). Finally, I saw it’s full potential on my Nikon F50, with it’s 50mm f1.8 lens attached.
While not quite working out at £1 per roll, I have seen a deal on Amazon where you can buy 6 packs of 24 exposures for £16.95 – which works out at £2.80ish.
So, perhaps I’ll give that one a punt.